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Applicable Music Theory For Gospel Musicians |
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From the Introduction...
So why do we bother studying music theory? Music theory exists to explain what we hear. It exists to share our musical ideas. But more than that it allows us to organize our musical experiences and thus propel our creativity forward. And, believe it or not, music theory makes playing by ear quite simple. It is this last reason that drives my passion for teaching applicable music theory for Gospel musicians. Many musicians have come to me able to play worship choruses, but not understanding what they were playing. Previous teachers taught them song after song note for note. They knew a few scales and some chords, but had no idea how it all fit together. Because of this lack of understanding, chords appeared to be joined together randomly making learning songs by ear a daunting task that they figured was better left to “musical geniuses”.
In my teaching, I quickly realized the two key elements to unlock the door of musical understanding. The first element is Major Scale Harmony. Making interesting music is about how you move between the chords that “belong” with chords that may or may not “belong”. The second element is the ii-V7-I chord progression. It is the cornerstone of Gospel music and is the most common way of connecting chords that “belong”.
I hope that this guides your musical understanding to new levels that you thought were unattainable. This material hasn't disappointed one student yet, so dig in and grow!
Format: PDF - Digital Download
85 Pages
MAIN TABLE OF CONTENTS
INTRODUCTION
BASIC MUSIC THEORY
CHORDS & VOICINGS
HARMONY
THE ii-V7-I CHORD PROGRESSION
IMPROVISATION
APPENDIX
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