Applicable Music Theory For Gospel Musicians

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Music Theory

Chord Voicings

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You've wanted to learn more music theory for a looooong time. So what's stopping you now? You will see a huge improvement by studying and applying this material to your playing. No more confusion at the keyboard! This is the same material that I use to teach my students. I have seen them go from not being able to pick out chords in a song to recognizing them instantly in less than six months!

Table of Contents

INTRODUCTION

BASIC MUSIC THEORY

Finger Numbering System

The Musical Alphabet - Natural Notes (White Keys)

Sharps & Flats (Black Keys)

Intervals

Major Scale Construction

CHORDS & VOICINGS

The Chord Tone Numbering System

Major Chords

Minor Chords

Diminished Chords

Augmented Chords

Suspended Chords

Major Seventh Chords

Minor Seventh Chords

Dominant Seventh Chords

Diminished Seventh Chords

Half-Diminished Chords

Chord Inversions

The V7 Chord And Its Extensions

The 9th

The 11th

The 13th

The Suspension

The V7 Chord And Its Alterations

G7(b5)

G7(#5)

G7(b9)

G7(#9)

G7(#11)

G7(b13)

Others

Putting Them Together

HARMONY

Understanding Major Scale Harmony

What You Should Already Know

Motivation

Introduction

Triadic Major Scale Harmony
Seventh Chord Major Scale Harmony

Exercise

Exercise Example

Conclusion

Learning Major Scale Harmony Triads

Learning Major Scale Harmony Sevenths

THE ii-V7-I CHORD PROGRESSION

Understanding The ii-V7-I Chord Progression
Basic ii-V7-I Voicings

Tips For Practicing ii-V7-I Chord Voicings

Applying ii-V7-I Chord Voicings

ii-V7-I Voicings

ii-V7(13)-I Close Position Voicings

ii-V7(13)-I Open Position Voicings

ii-V7(b5)-I Close Position Voicings

ii-V9(b5)-I Open Position Voicings

ii-V7(b5,13)-I Open Position Voicings

ii-V9(#5)-I Close Position Voicings

ii-V9(#5)-I Open Position Voicings
ii-V7(b9)-I Close Position Voicings

ii-V7(b9)-I Open Position Voicings

ii-V7(b9,13)-I Close Position Voicings

ii-V7(b9,13)-I Open Position Voicings

ii-V7(#9)-I Close Position Voicings

ii-V7(#9)-I Open Position Voicings

ii-V7(#9,13)-I Close Position Voicings

ii-V7(#9,13)-I Open Position Voicings

ii-V7(#11)-I Close Position Voicings

ii-V7(#11)-I Open Position Voicings

ii-V7(b5,b9)-I Close Position Voicings

ii-V7(b5,b9)-I Open Position Voicings

ii-V7(b5,#9)-I Close Position Voicings

ii-V7(b5,#9)-I Open Position Voicings

ii-V7(#5,b9)-I Close Position Voicings

ii-V7(#5,b9)-I Open Position Voicings

ii-V7(#5,#9)-I Close Position Voicings

ii-V7(#5,#9)-I Open Position Voicings

ii-V7(b13)-I Close Position Voicings

ii-V7(b13)-I Open Position Voicings

IMPROVISATION

Improvising With Major Scale Modes (Modal Improvisation

Improvising With Triads (Triadic Improvisation

Improvising With Sequences

Improvising With Arpeggios

APPENDIX

Major Scales and Fingering

Chord Charts

Chord Symbol Chart

Chord Nomenclature Rules

Purpose

“Rules"

Random Note Chart (for Natural Notes)

Random Note Chart (for All Notes)

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